Jair Blacksmith

Samuel, in this saw, identifies itself with the onlotolgica representation of the tecnicizao and, therefore as annihilating machine of its proper freedom, and full accomplishment. After – modernismo impregnates the niilista ideal of an absent, inexistent expression, of values, certainties, and meaning for the life. They are constructed then, mannering configurations of a man: android – melancholic, multiplied, indifferent, destitute of history, programmed, controlled as a tncnicizado instrument, in the vision of Jair Blacksmith Dos Santos, (SAINTS, 1995, P. 18). As, this author, vocbulo after guard in its bulge a negation, a esvaziamento and esfacelamento of practical situations of high significant reach: ‘ ‘ The DES-referencializao of the Real and the DES substancializao of the citizen, motivated for saturation of the daily one for signos.’ ‘ 4 Given the displayed one, establishes in this direction the totalizante reality, the duplificada way, that does not have to be suppressed in one of its feies, therefore the man is annulled distanciado of tecnicidade as well as segregated, a time that to isolate complementary elements of the human development is to embed the existence of the Isidoriana subjectivity that viceja inside of us, and in function of which not yet we were dragged for a lamaal of human beings mere mechanics.


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